Honey Pierre’s solo exhibition I’m Just Living Some Life, Okay? at Impossible Currency embraces mundanity and, through it, finds sublimity. The title of…
Leia Genis
All of the ingredients in Hot Jambalaya, the new original musical onstage at Dad’s Garage Theatre through March 29, make for a delicious…
Benjamin Carr
The hermetic life of the COVID-19 lockdown has hit the music world especially hard with performers and concert-goers unable to indulge in the…
Jordan Owen
There’s a saying by women’s and elder’s rights activist Maggie Kuhn that goes “speak your mind, even if your voice shakes.” Self-described “salty…
Jake Van Valkenburg
Although she still acts — seen most vividly a few years ago in Serenbe Playhouse’s Cabaret — Heidi Cline McKerley spends a bulk…
Jim Farmer
The jukebox musical has evolved tremendously in the last 40 years. Shows such as Jersey Boys, American Idiot and Ain’t Misbehavin’ have pushed…
Marshall Mabry IV
New galleries — commercial, nonprofit, DIY or pop-up hybrids — have been emerging regularly the past few years, but there’s been a significant…
Jerry Cullum
Unlike other performers who made a name for themselves in the ‘80s, John Cusack is still as busy and relevant as ever —…
Jim Farmer
From my perspective, classical music is frequently best consumed by region. A program cultivated from multiple composers in a given region not only…
Jordan Owen
From the intimate stage of the Garden Hills Recreation Center on Sunday afternoon, the Peachtree String Quartet offered not only a superb performance…
Jordan Owen
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